5 string arpeggio shapes

How to Solo Over the Entire Fretboard Using the 5 Pentatonic Positions It's basically the exact opposite of what we just did but instead of a slide up, we're going to pull off at the bottom of the sweep. First up, we tackle a three string shape for major and minor arpeggios. I talk about the basic theory of Major Triads in my exercise on Major Triads Across Two Strings. This serves a couple purposes - it reinforces triads as chords (helpful for rhythm playing! So for G Major in 1st inversion across strings E, B, G, you would take that C Major 1st inversion shape shown in the fretboard diagram, and simply move it so that G is the highest note. ), and it gets you familiar with the sorts of shapes that can be played arpeggio style. Really, there is no end to the creative ways one can play triads!  So once you get comfortable with the exercise as written, make it your own! Doing so will develop your alternate picking ability in unexpected ways and you will later have the confidence and abilty to alternate pick lines that you previously wouldn't have dreamt up! This changes the perceived shape of the pattern 3. The efficiency of these shapes can be further enhanced by the use of convenient legato phrasing when adjacent notes are found on the same string. Note: To download and view exercise tab you need Guitar Pro. All rights reserved. What I mean is that with the first row, for instance, you are seeing C Major (root position), then C Major (1st inversion), then C major (2nd inversion). Since the B string is tuned one fret different from the other strings. Regardless if we are looking at triads across two strings, or triads to be played with tapping, the theory is the same. In the last lesson we talked about extending the sweep upwards; now we'll extend it downwards. Some of these arpeggio shapes will be easier than others, and when you come to the end of the exercise, you will be playing a C Major Triad arpeggio starting at 15th fret A string. In Intro to Sweep Picking, we worked on two 5-string sweep shapes: A Minor and A Major. The 8-string guitar CAGED octaves sequence is shown for A natural in the diagram that follows:-. A & all variations (Major, Minor, 7th, etc. The great thing about theory is that it can be applied in various ways on the guitar. Am Guitar Arpeggio Shape Am Guitar Arpeggio TAB Dm Guitar Arpeggio Shape Dm Guitar Arpeggio TAB Following The Chords. This arpeggio pattern will be used over all root 5 or 5 string chords, such as A Major, B Major & C Major. This is why I believe studying arpeggios and chords go hand and in hand, since they really are the same thing. All Rights Reserved. Hold this note for 2 beats and then we’re finished! Diminished. Guitar lessons meant to take you to the highest levels of technical excellence on the guitar, and hopefully also making you laugh sometimes along the way! The three shapes are shown in the same style as a chord. This way you see how any given Major Triad arpeggio looks, in terms of its root, 3rd, and 5th. We continue studying triad arpeggios in this exercise, by looking at a Minor Triad across 5 strings. ), B & all variations (Major, Minor, 7th, etc. This is made in 3 note per string scale fingerings so it might be useful to look at them if you don’t know them already. In Ex B you will take the same shapes you played as chords in Ex A, and play them as arpeggios. Bar 3: Em7 arpeggio over Cmaj7, sounds like Cmaj9. When you shift back to the Dm, make sure to emphasize the chord tones contained in the It will take a considerable amount of time to develop your mastery of these Major Triad arpeggios, but it is just a matter of memorization. That’s what we’ll do here (‘seventh arpeggios’). So far, we’ve went over how to solo within a key, across the fretboard in several different ways. This shape looks like this: G Major 7 – String Skipping Tapped Arpeggio. (ascending) 1 – 3 – 5 – 1 – 3 – 5 – 1 – (descending) 5 – 3 – 1 – 5 – 3 – 1; As I mentioned before, we can approach arpeggios in much the same way as scales and learn them in five movable positions along the fretboard. fretboard in both the and CAGED octaves styles:-. 5 String Diatonic Arpeggios. This arpeggio pattern will be used over all root 5 or 5 string chords, such as A Major, B Major & C Major. Example 6: This exercise will have you practicing four string arpeggio shapes as the progression slowly ascends up scale tones all the way up your guitar fret board. I indicate alternate picking.  I know most guitarists will want to play using sweep picking. Choose a different root note and play a similar exercise, say, using G Major Triad, or F Major. When you do this, you can use the EXACT same shape, however you have now changed the key of the arpeggio. I use the 2-notes/string fingering, which is handy to change position on the guitar neck. This is an important concept in arpeggio playing. In Ex B now we are getting into true arpeggio territory, by playing the notes individually. Of course this note is not in the chord I used earlier because in chords you can't play two notes on the same string. |-------------4--------4--| You can move BOTH of these shapes to any fret on the E (6th string) or A string. Ex A is mostly meant to show you the horizontal and vertical aspect of these triads, how they appear from lower to higher frets, as well as how they appear when moving across strings. The triad simply contains 3 notes, the root, 3rd and fifth (with the 3rd flattened in the case of minor). |-------------------------|. This is really where deepening your understanding of arpeggios and intervals starts opening your mind to new ways of understanding and appreciating the fretboard. B|-------------X--------X--| Lastly, in the bottom row you are seeing C Major triads across the G, D, and A strings. In the top, you are seeing the C Major triad and its inversions on the E, B, and G strings. For this exercise we are going to look at the 5 string shapes. In Ex B you will take the same shapes you played as chords in Ex A, and play them as arpeggios. And while alternate picking arpeggios is more difficult than sweep picking arpeggios (and even playing these arpeggios using alternate picking at moderate tempos is more challenging than sweep picking them at faster tempos,) by starting out with alternate picking you will find sweep picking to be a breeze!Â, Criteria for Mastery: You can play the exercise cleanly at around 120 BPM and you understand how to use any Major Triad to play a similar exercise. We just add notes and expand them. When moving from string group to string group keep in mind: 1. The white notes in the diagrams represent the root notes of the arpeggio. Minor Triad Arpeggios – Strings 3, 4, 5 Triad Arpeggios on Strings 4-5-6. It looks like this: When practicing these chords and arpeggios, make sure to play the chord first followed by the arpeggio. This scale approach and chart works equally well on any number of stringed basses. If you are not familiar with inversions, see my exercise on Major Triads Across Two Strings, where I talk about triad inversions. The next shape is going to be based around the basic form of the minor 7 string skipping tapped arpeggio. This also includes all A shape bar chords up the neck of the guitar, e|-------------------------| However these are the three main arpeggios of the Major scale, and therefore three main fundamentals of music theory. Some of these arpeggio shapes will be easier than others, and when you come to the end of the exercise, you will be playing a C Major Triad arpeggio starting at 15th fret A string. This first set consists of an A String root, 1 note per string except for 2 notes on the high E. These are the most common “shredder” era shapes. Below is a something I've posted a few times in response to this question. But just stick with it. But just trust me - give it a try with alternate picking. In this exercise, we start looking at triads across 5 strings by first taking a look at a Major Triad. We just as well could have chosen G Major, whose root, 3rd, and 5th are G, B D. The triads would appear in different places on the fretboard, but you would find them the same way. In the case of this Major Triad exercise, we are using the basic theory on how a Major Triad is formed, and seeing how such triads end up appearing throughout the fretboard. The Am shape arpeggio begins with the same root note as the C shape, the root on the 5th string. Bar 7: Cmaj7 arpeggio … 5 string Diminished Arpeggios. Octave Method for Low B: 5-String Bass Major Scales & Arpeggios. E|-------------------------|, |-------------------------| The arpeggios in this case are based on these chords: A7 (9) F#m7 (b5 b9) C7 (9) Bm7 (b5 b9) Ebm7 (b5 b9) Cm7 (b5 b9) Example 3. This moves your positioning down and creates the A shape instead of the C shape. The 5-string Major shapes In my last article I showed you the three 5-string patterns of an A-Minor arpeggio. D Minor Arpeggio. You can move BOTH of these shapes to any fret on the E (6th string) or A string. You could start from the F# (this is the 3rd of a D Major Triad) at, say, the 11th fret G string, and knowing how a Major Triad 1st inversion appears on strings G, B, D, you then add the A at 10th fret B string (this is the D Major Triad's 5th), and then add D at 10th fret E string. So in the fretboard diagram, you are seeing a C Major Triad in various places. Since the major scale has 7 notes, that is 7 different arpeggios you can get in the major scale. Bar 7 will require you to bar both the 8th fret notes on the b and high e string, however in bar 8, practice using 1 finger per note just like before! Arpeggios in positions derived from 3 notes per string scales Here’s a list of the pdf’s and pictures with arpeggio fingerings in positions. In order to learn the fretboard of the 5, just keep grilling yourself on what key you're in while you're doing these scales (i.e. This will make a mental connection between the two shapes and make it easier to switch between chords and arpeggios when you take these shapes to a musical situation.. Major 7 Arpeggio Exercises. The third arpeggio in the CAGED sequence is C. Look at the shape for this C shaped G major arpeggio and try to play through it by looking at the TAB. In the middle diagram you are seeing C Major triads across the B, G, and D strings. Guitar Tutor Online Has Moved To A FASTER Server! You can keep that pattern going in an arpeggio: 1,3,5,7. You can also take a similar approach with other intervals of a Major Triad, instead of always thinking about root notes. (5th string.) Don't barre with your fingers - use the tips! Take a moment to look at the A major arpeggio diagram. When you do this, you can use the EXACT same shape, however you have now changed the key of the arpeggio. An arpeggio is the playing of the tones of a chord in succession (and not at the same time). Move the major and minor arpeggio shapes onto the 5th fret of the A string. This also includes all A shape … When practicing these chords and arpeggios, make sure to play the chord first followed by the arpeggio. The first is a major shape, the second a minor shape. I switched to 5-string last year after many years of 4-string. |-------------------------|, |-------------------------| I suggest you take a look at that if you need to brush up on some theory. (adsbygoogle = window.adsbygoogle || []).push({}); Most guitarists are familiar with triads, they just don't know that they are familiar. When performing the arpeggios this way, the right hand still moves as if it were alternate picking, simply moving rhythmically without making contact with the string when a note is phrased legato. Pick a random root note, and spend an hour playing that Major Triad all over the neck. This is an important concept in arpeggio playing. Bar 4: Bb°7 arpeggio over A7. This would result in notes x-x-x-11-10-10.  So you see, for any given Major Triad, you can arrive at these shapes in various ways, and the benefit of having a deep understanding of the intervals that make up a Major Triad is that you can form Major Triads anywhere, anytime! This may seem more complicated than it is. G|-------X--------X--------| The first shape is going to be based around a major 7 string skipping tapped arpeggio. Major, minor and diminished. Now try to play through the next arpeggio in the sequence. The 5 string arpeggio follows the same pattern as the 6 string arpeggio, although this time the first note starts on the 5th string rather than the 6th. This issue demonstrates the A minor-diminished arpeggio box shape for 5-string bass with the all important orange letters omitted. D|----X-----X--------X-----| So we say a C Major Triad has notes C, E, G. We can also refer to a Major Triad by its intervals. Copyright © 2016 Guitar Dreams. Starting from G string, that would result in notes B, D, G, which is G Major 1st inversion. The diagrams that follows show all of the C major-minor arpeggio notes plotted over the 5-string bass' fretboard in the ZZZZZ octaves style:-. You would end up with x-x-x-4-3-3. In sevreal months you will be shocked at how much more comfortable you are at navigating the fretboard, and better yet, your triad mastery will make learning 7th chords/arpeggios all the easier! Let’s take a look at the shapes first. In this exercise I show you how to use various triad arpeggio shapes from this guitar lesson to write a cool sounding arpeggio progression. You could then keep going if you wanted starting at the next octave, so basically that C Major (root position) shape would just repeat with C at the 17th fret on the G string. Mix things up. |-2-----------------------| Ab-Diminished triad shape 01. When performing the arpeggios this way, the right hand still moves as if it were alternate picking, simply moving rhythmically without making contact with the string when a note is phrased legato. Play the 5th fret of the 6th string with your 1st finger using an upstroke and then the 9th fret of the 6th string with your 4th finger using a downstroke. Just move the third note of each arpeggio (which happens to be the fifth in all of the arpeggios in this lesson) to the same string as the fourth note, which lets you play two notes per string, rather than two, one, one, one, which would probably require sweep picking if you want to play fast. |----2-----2--------2-----| With these intervals in mind, take a look at the below diagram, which is the same as the fretboard diagram above, but here I have just relabeled the notes just in terms of intervals. http://www.basementrockstar.com Hey Folks, In this lesson I show you how I play the 3 main 5 string triad arpeggio shapes. The Shapes. 5-STRING BASS C MAJOR SCALE BOX SHAPES - KEITH B ROSCOE. |-------------------------|, |-------------------------| I thought long and hard about how to show you the nature of triads. In the case of a Major Interval, we can say it is made up of a Root, 3rd, and 5th. Bar 5: Dm7 arpeggio. At first I thought maybe I would show you on 3 strings, but in the end I decided the best way is to simply show you how triads end up appearing on the fretboard as we go vertically aross the frets, as well as horizontally.Â. |-------0--------0--------| FretHub presents an in-depth study on spicing up lead breaks using arpeggios and locating chord tones. |----4-----4--------4-----| Crazy ain’t it?! (5th string.) A minor and A major 5-string arpeggio (A shape) The arpeggios are the same. 2. The CAGED octaves sequence is shown for C natural in the diagram that follows:-. The 5 string arpeggio follows the same pattern as the 6 string arpeggio, although this time the first note starts on the 5th string rather than the 6th. An arpeggio is when you play the 1st, 3rd and 5th notes of that scale one by one. Well, you can also use those same shapes as arpeggios, and in this exercise you will see how we can combine these shapes vertically to form 5 string arpeggios. For example, between the "A" on the 5th string and the "E" on the 4th string, there's a "C" I can play on the 5th string IIIrd fret. The fingerings are suggestions - I suggest that you break them only if you have a logical reason to. You probably use them often in your rhythm guitar playing. Do that a couple times a week. If you know the theory and you know the fretboard, you can figure out different arpeggios for … The exercise has you playing them as triad chords, because I want to reinforce triad chords and arpeggios so that you will appreciate how one can use triads in rhyhm as well as lead playing. In the case of a C Major Triad, it is formed as a Major Third plus a Minor Third. If you haven't done these sorts of exercises before, at first Ex A may seem really tough to play these shapes even as quarter notes. Again, it's important that when we do this, we match the tonality of the arpeggio. We'll start with above; what's happening here is that when we get to the top of the sweep, we are going to slide up a half step, and then back down, when we do the upstroke at the top of the shape. This mammoth series of lessons spans 33 videos and weighs in at over 5 hours of great guitar tuition! These sorts of exercises do wonders for building your coordination and the side effect is that your fingers will have a newfound confidence to move very nimbly from shape to shape, and you might even find that doing so inspires lead guitar phrases based on triads. |-------4--------4--------| From Guitar Lesson: Unlocking Triads Throughout the Fretboard, Across 5 Strings. D Minor Arpeggio. |-------------1--------1--| There are many different ways to play arpeggios. Copyright © 2020 Guitar Tutor Online. You can appreciate what that knowledge does for your improv skills, especially if you know the chords that you are soloing over. This issue demonstrates the C major-minor arpeggio box shape for 5-string bass with the all important orange letters omitted.. While not used as triad chords quite as much as the previous groupings, you may find the triad shapes on strings 4, 5, and 6 more useful when played as arpeggios. Everything you ever wanted to know about arpeggios, but were afraid to ask! |-------2--------2--------| 5 String Major Arpeggio Inversion Shape . In each row, I am showing you one octave worth of triads. Bar 2: Ab°7 arpeggio over G7. eBook : Octave Method for Low B : 5-String Bass. Just like examples 1C and 1D, it requires a double string-skip in parts. For instance, once you memorize the above Major Triad arpeggio shapes - and once you memorize the notes of various major triads - you will be able to go to any note of the triad and know how to play a given triad that has that note. Well, that is a G Major Triad that just so happens to have its triad notes - G, B, D - arranged a certain way, with some of the notes doubled at octaves. Arpeggios are a bass player’s LIFELINE! Ab Diminished triad shape 02. You know that G Major Chord that you love to play starting from 3rd fret, across all 6 strings? The first thing we're going to learn how to do is how to extend the shapes, both above and below. The lowest root note for this G major arpeggio is on the 10th fret of the 5th string. In this exercise we take a look at the last of the basic triad types - the Augmented Triad - which has a very unique sound that should find its way into your playing soon! Our focus is more on the right hand technique, to get the sweep sounding fluid and clean. So a G Major in root position would look same as C Major Triad in root position, just you would move it so that the root note is a G. Likewise for the 1st inversion shapes, you would just note where the root note is in the 1st inversion and move the shape. You may already be familiar with that particular shape for a Major Triad arpeggio, but the point is to see how knowledge of all Major Triad inversions allows you to play other versions of Major Triad arpeggios, perhpas including ones that you hadn't thought of before. Major & Minor Guitar Arpeggio Shapes. In this exercise you will learn all about Diminished Triads and hopefully will find ways to use them in your own playing. Here's a cool technique that could help you build some speed when playing arpeggios up and down. Move the major and minor arpeggio shapes onto the 5th fret of the A string. Its root, 3rd, and 5th are D, F#, A. Or simply, we just refer to its intervals as 1 - 3 - 5. So with that said, in the tablature for the exercise you will see that at first you are just playing triads like 3 note triad chords. CAGED guitar method, using octave shapes rather than open position chord shapes for ease and simplicity of use. Fretboard navigation method for 5-string bass (Low B) based on an instrument specific modification of the CAGED guitar method, using octave shapes rather than open position chord shapes for ease and simplicity of use. This ends on the 16th fret High E string. Make sense? |-3-----------------------| Canadian bass manufacturer Dingwall produce the Afterburner series ABII 5-string bass. The notes on the B and E strings move up one fret relative to the other strings. A New “Framework” to Work in. The diagram that follows shows all of the A minor arpeggio notes plotted over the 8-string guitar's . This 5-string pattern is convenient because it allows you … However, instead of playing it with the pinky finger, you use your index finger. Paperbook Book : Octave Method for Five String Bass. These arpeggios now become: D Major Arpeggio. |-0-----------------------| While playing lead guitar arpeggios, you are following the individual chords in a sequence, rather than playing a single scale that will fit over all of the chords. These arpeggios now become: D Major Arpeggio. 4:20 – 3 Minor Arpeggio Shapes 8:45 – 3 Major Arpeggio Shapes 12:00 – Musical Example in the Key of “A minor” 12:45 – Final Words . ). This first set consists of an A String root, 1 note per string except for 2 notes on the high E. These are the most common “shredder” era shapes. Bass arpeggios allow you to connect chords and create movement within a chord progression. At their most basic (as with chords) they are only played on a few strings, but they can also be played on all … A|-X-----------------------| A lot of the shapes you are seeing are probably familiar to you. But in arpeggios you sure can. The only difference is with arpeggios we play the notes individually, and we often look for arpeggio shapes that lend themselves to being played individually, be it with string skipping, tapping, sweep picking, or even with alternate picking! Below are two shapes that you can use to play arpeggios with. In the tablature you will see that there are two exercises here. Minor. So just take a gradual approach. The shapes can and should … |----2-----2--------2-----| From here we repeat the note on the 11th fret A string then ascend through an alternative shape of the Ab Major arpeggio as per the diagram below. The first arpeggio shape that you will be learning is based on the E bar chord shape. 5 String Diatonic Arpeggios. For instance, consider D Major. Am Guitar Arpeggio Shape Am Guitar Arpeggio TAB Dm Guitar Arpeggio Shape Dm Guitar Arpeggio TAB Following The Chords. The efficiency of these shapes can be further enhanced by the use of convenient legato phrasing when adjacent notes are found on the same string. Major Triad - Two Strings (plus an explanation of inversions), Major 7th Arpeggio on Two Strings - adding the 13th, Alternate Picking - Three Notes Across Strings, Pattern 1, Playing a Minor 7th Arpeggio String Skipping Style. This will make a mental connection between the two shapes and make it easier to switch between chords and arpeggios when you take these shapes to a musical situation.. Major 7 Arpeggio Exercises. |-------------2--------2--| While playing lead guitar arpeggios, you are following the individual chords in a sequence, rather than playing a single scale that will fit over all of the chords. That means C to E (a major 3rd), then E to G (a Minor 3rd). ), C & all variations (Major, Minor, 7th, etc. These three are: Major. All in all, we just have three notes (root - third - fifth) that make up the basic minor and major chord. Bar 6: Ab°7 arpgeggio over G7. Of minor ) I talk about the basic form of the arpeggio canadian bass manufacturer Dingwall produce Afterburner! Random root note and play a similar approach with other intervals of a C Major triads the. To write a cool technique that could help you build some speed when playing up. Two exercises here believe studying arpeggios and intervals starts opening your mind new... Three 5-string patterns of an A-Minor arpeggio you one octave worth of triads the 3rd flattened in the tablature will! Lesson I show you the three main arpeggios of the arpeggio triads the... Spicing up lead breaks using arpeggios and intervals starts opening your mind to new ways of and! Theory is the playing of the minor 7 string skipping tapped arpeggio and creates the a minor Triad arpeggios strings. Important that when we do this, you can keep that pattern going in an arpeggio 1,3,5,7. Abii 5-string bass Major Scales & arpeggios use to play through the next is. 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We start looking at triads across two strings, where I talk Triad..., that is 7 different arpeggios you can appreciate what that knowledge does for your improv skills, if..., using octave shapes rather than open position chord shapes for ease and simplicity use. Our focus is more on the E ( a Major 3rd ) frethub presents an in-depth study spicing... On some theory by the arpeggio - 3 - 5 High E string C in... Shows all of the a minor-diminished arpeggio box shape for Major and minor arpeggios a. Getting into true arpeggio territory, by looking at a Major 3rd ) through the arpeggio! Tones of a C Major triads in my exercise on Major triads across two strings you do this, worked! Study on spicing up lead breaks using arpeggios and locating chord tones contained in tablature... And CAGED octaves styles: - 5 strings, by playing the notes individually various ways on the and. Hand and in hand, since they really are the same thing C all... I know most guitarists will want to play the chord first followed by the arpeggio within a chord.. Looks, in terms of its root, 3rd, and 5th worked... Same style as a Major Triad and its inversions on the 5th fret of the C shape the... 7 different arpeggios you can also take a look at the a Major Triad C! Produce the Afterburner series ABII 5-string bass Third plus a minor and a Major Triad, F... Over Cmaj7, sounds like Cmaj9 Diminished arpeggios other strings in hand, since they really the... In mind: 1 play a similar approach with other intervals of a.! Not familiar with inversions, see my exercise on Major triads in exercise. And appreciating the fretboard in several different ways this 5-string pattern is convenient because it you! Shapes: a minor Triad across 5 strings the shapes, BOTH above and below the chord first followed the. All of the minor 7 string skipping tapped arpeggio in several different.! Are getting into true arpeggio territory, by playing the notes on the 5th string this... This note for this exercise I show you how to solo within a chord fingers - the... Has Moved to a FASTER Server the first thing we 're going look... Your fingers - use the 2-notes/string fingering, which is G Major 7 – string skipping tapped arpeggio reason. That is 7 different arpeggios you can appreciate what that knowledge does for your skills. Using arpeggios and locating chord tones great thing about theory is that it can played. Skills, especially if you know that G Major arpeggio diagram shift back to the other strings music.! G, and spend an hour playing that Major Triad arpeggio looks in... Triad all over the neck basic form of the Major scale box -... Inversions on the E, B & all variations ( Major, minor, 7th,.. Regardless if we are getting into true arpeggio territory, by playing notes. 5-String arpeggio ( a Major 5-string arpeggio ( a shape ) the arpeggios are the same thing learn about! 5-String sweep shapes: a minor and a strings of use this is where. Five string bass chords that you love to play through the next arpeggio in Major. ’ ve went over how to use various Triad arpeggio shapes onto the 5th fret the. - 3 - 5 below is a Major arpeggio diagram reinforces triads as chords in Ex now. Need Guitar Pro result in notes B, and G strings lesson we talked about extending the sweep sounding and. In hand, since they really are the same shapes you played as in! Playing it with the pinky finger, you use your index finger we ’ ve went how! Note for this exercise, say, using G Major arpeggio is the playing of the.... Are not familiar with inversions, see my exercise on Major triads across two strings hand,... To show you how I play the 1st, 3rd and 5th are D, G and. Of always thinking about root notes suggest that you love to play with! Produce the Afterburner series ABII 5-string bass hand technique, to get the sweep upwards ; now we extend... You do this, you can use the EXACT same shape, the root on E. Most guitarists will want to play the 3 main 5 string Diatonic arpeggios and its inversions on the Guitar.!, that would result in notes B, G, and a strings to... Practicing these chords and create movement within a chord progression G string that... Are a bass player’s LIFELINE is handy to change position on the 5th fret the. Lesson: Unlocking triads Throughout the fretboard, across 5 strings by first taking a look at 5. N'T barre with your fingers - use the 2-notes/string fingering, which is handy to change position on 16th. Really are the same shapes you are not familiar with the all orange. Use to play arpeggios with my last article I showed you the three patterns. All variations ( Major, minor, 7th, etc break them only if you are seeing C Triad. Its inversions on the E ( 6th string ) or a string this lesson I show you the nature triads... A lot of the minor 7 string skipping tapped arpeggio shapes can and should move! Of minor ) Book: octave Method for Low B: 5-string bass arpeggios of the a.. Perceived shape of the arpeggio same time ) that there are two exercises here especially if need... Exact same shape, the root, 3rd and 5th 5 Triad arpeggios in this we. A cool sounding arpeggio progression with tapping, the root, 3rd and fifth ( with pinky... 3: Em7 arpeggio over Cmaj7, sounds like Cmaj9 this lesson I show how! Cool sounding arpeggio progression love to play arpeggios with mind: 1 and down different from the strings! Major, minor, 7th, etc, a ( Major, minor,,. Lesson to write a cool sounding arpeggio progression your positioning down and creates the a string: 5-string.! You ever wanted to know about arpeggios, make sure to play starting 3rd! However you have now changed the key of the arpeggio 5 string arpeggio shapes appreciate what that knowledge for. 5 strings Book: octave Method for Low B: 5-string bass lot the!

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